The one thing that I didn’t do well, I think, was reading the alphabetical text because the interactive part was far more engaging and sometimes distracting, which made me wonder if I had enough training reading interactive texts to do so effectively. Sorapure comments on the challenges that she faced in composing this article. She writes:
“This article is itself a new media composition, and the five principles described by Manovich certainly can be seen here. There are also some unique challenges involved in composing an academic article in Photoshop and Flash, in combining almost 3500 words of text with graphics and interactivity.”
“Aside from the matter of coding and designing the article, the most difficult challenge for me has been presenting text in a way that's detailed and yet compact, with short independent units combining to form a coherent argument and with interactivity that enhances rather than distracts from the text.”
I wanted to learn more about these challenges as I felt that Sorapure cut this discussion short (for formatting reasons, maybe? Would she have done the same if this article was a traditional one?). How can we prepare our students for these challenges? Are these challenges unique to multimedia texts? From a pedagogical perspective, I feel that managing time should be one of the challenges since, obviously, Sorapure's article represents hours of hard work (there are a great number of images and codes embedded in this article). Also, this article shows great literacy and competency in designing and composing new media texts. Where do we draw the line between experimenting with form and disorienting or distracting the reader? While reading (is reading the right word? Should we substitute it with browsing?) I was tempted to click on the link that said “You can also read a text-only version of the article in PDF format,” but I resisted doing so to experience this multimedia text in its fullest potential. As I was nostalgic to read an essayistic text, I was reminded with Clark’s thesis in “Making the Case for a 21st-Century Pedagogy:”
“In our nascent digital culture, the traditional essayistic literacy that still dominates composition classes is outmoded and needs to be replaced by an intentional pedagogy of digital rhetoric which emphasizes the civic importance of education, the cultural and social imperative of ‘the now,’ and the ‘cultural software’ that engages students in the interactivity, collaboration, ownership, authority, and malleability of texts” (1).
Interesting choice of words! Why did she use the words “imperative,” “outmoded” and “replace,” not “incorporate?” Why do scholars believe that in order to push their agenda forward they need to trash the current practices and call them “outmoded” and “traditional?” Although I found interacting with Sorapure’s article engaging and original, my readerly experience was interrupted, which makes me wonder if I’m ready for Clark’s “pedagogy of digital rhetoric.”
Interesting questions, Lana, I look forward to discussing them.
ReplyDeleteI now have read Sorapure's article twice, including viewing all of the examples. It went a lot better the second time. I adapted quickly to the logic of the text. I also was able to achieve a better integration between the alphabetic text and the visual and interactive elements. My point is that, if you think about reading a graduate level traditional text, a similar process unfolds of learning how to read it, so that it takes two readings to get anywhere with it. Perhaps that is because there is typically new terminology and concepts and perhaps some other challenging aspects.
I think it helps that Sorapure's piece is successful. You are right that it took a long time, I am sure. It was composed in a difficult program (Flash) and probably other software. The fact that none of us could imagine composing it is also not a new sensation.
Lana,
ReplyDeleteI found it difficult to multitask experiencing all the gizmos and actually analyzing the text as well, which for me raises the question: are multimodal texts appropriate for all textual work? Most of these authors don't seem to be concerned with what is appropriate for any given writing situation but are instead certain that multimodal texts are the future and print texts "out-moded." I think print texts (like most blogs: though they do also include pictures and videos, they remain largely text heavy)aren't going anywhere because some purposes are best carried out in print—though skillful design and layout makes any text look better.